Scale collapses; power shifts. The miniature has the power to invert traditional hierarchies of scale and meaning. Monumental figures dominate space, asserting their authority through size and spectacle. The miniature, by contrast, invites a different kind of encounter—one of proximity, curiosity, and play. The Mini Narkasur tradition does exactly this: it reimagines tradition in small form, shifting control from the figure to its makers and viewers, altering the dynamics of reverence, fear, and dominance embedded in the tradition.
Over the past 25 years, this tradition has also begun to liberate itself from rigid ritual timelines.
Once bound to Naraka Chaturdashi and the early dawn ritual of destruction, miniature competitions now spill beyond Diwali, sometimes lasting up to 15 days. This quiet rebellion expands the culture of Narkasur-making beyond its religious frame, allowing myth and craft to live longer, to travel further, to become a shared act of creation unconstrained by beliefs.
Yet, the small is not silent. Craft practices can reclaim and reshape narratives through process and materiality. These miniature effigies speak louder not through their physical scale or noise, but through the hands that construct them, the improvisation of local youth, and the fleeting ritual of their destruction at dawn. Goa’s Smallest Big Tradition asks us to reconsider power, time, beliefs and craft tradition that keeps reinventing itself in small yet powerful ways.
Credits
Mini Narkasur Artistic groups
Kiran Tamboskar - Technical Support
Siddhi Arsekar - Exhibition assistant
Utkarsh Naik - Image
Artist