Allegories of Anatomy: A Triple Bill

curator

  • Jayachandran Palazhy

Supported By

With technology shaping and controlling most aspects of our lives, the Body becomes the last and final frontier with its independent thoughts and expressions. 

How are these expressions and bodies influenced by the changes and the contemporary times we live in? 

Allegories of Anatomy: A Triple Bill brings to you three artists from diverse backgrounds and cultures - New Delhi, Arunachal Pradesh, and Seoul who use their bodies to express and reflect on their contemporary lives. 

These performances seek to explore human resilience and expression, through diverse vantage points in these changing times. 

The performances showcased as a part of this curation are listed below.

Disclaimer: This performance contains instances of partial nudity. Viewer discretion is advised. 

The Chinky Express Comes to Town


Project by:
Aseng Borang (Arunachal Pradesh)

What if somebody was not allowed to make eye-contact, take up any space or even straighten their spine? Maybe they were just given adjectives instead of a name. Sometimes, that somebody is an edible, a doll, a fetish, a savage, a caricature but never a person. Somebody gets mocked and humiliated. Somebody is never seen as they would like to be seen but instead how others would like to watch them.

You are here to watch somebody, but you do not pity them. Someone wants to educate them, someone wants to develop them, and someone wants to convert them. Someone wants to clean them, someone wants to assault them, and someone wants to enslave them. You sit and watch somebody erode. You watch somebody get played and harassed. You watch somebody's autonomy removed from their physical body.

Somebody is here in person.
Ready to display and exhibit her exotic body.
To dance to your tunes, your wishes and crush her dreams.
She is the exhibit.
She is the artist.
She is the specimen.
She is the entertainment.
Coming from the wild forests, the tall mountains
And the never-ending rivers of Arunachal Pradesh, born in the Valley of Dibang
river.
Please welcome The Chinky Express to your town.
Only for your eyes.

Deviant Octopus


Project by:
Jasmine Yadav (New Delhi)

Every posture, movement, and touch is a question posed by the body. This piece explores a transformation - as the dancer devotes herself to desire and appetite. The work involves transforming into someone who is part human, part creature, part monster. This creature is at times spread out, at times crooked, bent, curled inside, and always found shapeshifting. 

A body which isn't able to fit into any one standard or label. What does it mean to devote oneself to this constant becoming and unbecoming? The work explores various meanings and associations of desire as a practice, and in particular looks at how female desire, which is often censored/policed, finds manifestations through movement. 

The dancer surrenders herself to a raw urgency, questioning decency and censorship. The dancer does this through a movement vocabulary found with her clothing which involves dressing, undressing. Hiding some parts and revealing some. In this hide and seek the desire is to reveal something raw, unashamed and alive.

Uninhabited Island


Project by:
Jaewoo Jung (South Korea)

Loneliness is intrinsic to the human experience, often accompanied by fear and pain. A person who is not lonely is someone who has found the ability to connect and live harmoniously with others. In this performance, the artist grapples with questions about how they will shape their life and the kind of person they aim to become.

In this piece, Jaewoo uses his incredible physicality and sense of humor as his expression. Impressively lithe, his choreography is vigorous and powerful, powered by captivating movement. 


The Theatre - The Old GMC Complex
20 DEC // 05:00 PM - 07:00 PM

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