The exhibition will expand from Ravi Agarwal’s work“The Power Plant” to offer different readings of the coalescence of past, present, and future, the dyschromia. Is this the end of our worlds as we know it, our artistic, illusionistic pictorial space? Is it the end of city- and landscape? Art’s post-colonial, post-revolution has perfected itself, boundaries have dissolved completely. Knowledge, data, and culture can now be processed, disseminated and copied as many times and as quickly as is wanted via the code of pictures, places and the cannibalistic nature of its inhabitants.
